当代文学艺术作品中主体责任的多元升华 ——以音乐剧Dear Evan Hansen为例 The Multisensory Sublimation of Ontological Responsibility in Contemporary Art and Literature —— A Case Study of the Musical Dear Evan Hansen任务书

 2021-11-30 23:14:26

1. 毕业设计(论文)主要内容:

In the social media era, many young people who struggle with their affective disorder, which concrete expression to low self-esteem, weak self-identification, are quite desperate for a sense of identity and emotional care since social networks readily accessible to bound youngsters communication and comprehension. That is why contemporary art and literature catch the attention of the young group, especially the representative form of dramamusical. Literature and art is the carrier of ontological responsibility, and aid to sublimate it to a profound aspiration that produces the desire to connect with and help others. The kind of sublimation of ontological responsibility is mainly reflected in the best musical of 71st Tony AwardDear Evan Hansen. Analyzing the sublimation from own melancholy to ontological responsibility in the musical in four parts, character, music and environment, and dramatic form. Digging out how contemporary art and literature awaken emotional recognition and the human spirit.

2. 毕业设计(论文)主要任务及要求

1. Search various resources to identify the topic for the dissertation.2. Collect data and materials for the dissertation and write the paper on schedule.3. The paper should give an elaborate and exhaustive research on the given topic with independent work.4. The paper should be no less than 4500 English words in accordance with the required format.

3. 毕业设计(论文)完成任务的计划与安排

Before 4th January : settlement of the titleBefore 6th March: submission of the outline Before 30th April : submission of the first draft Before 22th May: revision of the draftBefore 29th May: submission of the final version

4. 主要参考文献

[1] Levenson Steven: Dear Evan Hansen: Through the Window", 2006. New York: Grand Central Publishing, 2017,ISBN1-538761904.[2] Charles Isherwood, Theatre Critic: In ‘Dear Evan Hansen,’ a Lonely Teenager, a Viral Lie and a Breakout Star. New York: The New York Times, 2001.[3] Hilton Als. Pop Psychology Onstage in “Dear Evan Hansen”. New York: The New Yorker, 2016.[4] Peter Marks. Theatre Critic: How ‘Dear Evan Hansen’ became one of the most remarkable shows in musical-theater history. Washington: Washington Post, 2017.[5] 张金鑫. 音乐剧《致埃文·汉森》中男主角的演唱与角色塑造的探索[J]. 四川师范大学, 2019.[6] 列维纳斯[法]. 从存在到存在者. 江苏教育出版社.2006

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