1. 毕业设计(论文)主要内容:
Among numerous music styles, Rap Music is undoubtedly the most related music form with lingual culture concerning its phonetics, tunes, rhythmics and stylistics. Rap music was first born in American Black community who had long been discriminated and compressed, during which period it served as a tool to venting their frustration and was regarded as a typical non-mainstream culture.But with rap music, together with Black English, being known by more and more people, it gradually gains the popularity for its rhythmicity, conciseness, novelty and creativeness. The thesis will focus on the analysis of stylistic features, do the language descriptions and discuss the contextual factors of Rap Song Lyrics from the perspective of modern stylistics theories and the general analysis mode, concluding the characters of rap lyrics in phonetics, grammar, vocabulary and syntax level, then studies the contextual factors for which the features of rap lyrics come into being. The thesis will apply Halliday’s Register Theory: field, mode and tenor of discourse to do the language description, which tries to make thoroughly comprehend and appreciate between language and culture.
2. 毕业设计(论文)主要任务及要求
1. Search various resources to identify the topic for the paper.2. Read the professional articles about the topic and make a brief understanding about the definition of the topic.
3. Collect materials to make preparations for the paper.
4. Finish the outline and the opening report, write a specific schedule for the progress of the paper.
3. 毕业设计(论文)完成任务的计划与安排
before 4th, January settlement of the title
before 20th, March submission of the outline
before 25th, April submission of the first draft
4. 主要参考文献
[1] Edgar, H. T. Darrin P. Racial group comparisons of conceptualizations of rap music constructs: A cross-racial validity study of the rap music attitude and perception scale. [J] Race and Social Problems, 2012, 4 (3), 205-217.
[2] Jamison, D. F. The Relationship between African Self-consciousness, Cultural Misorientation, Hypermasculinity, and Rap Music Preference[J]. Journal of African American Studies, 2006, 9(4): 45-60.
[3] Jennifer, R. G. Linguistic techniques of the self: The intertextual language of racial empowerment in politically conscious Brazilian hip hop. Language and Communication, [J] 2012,32(1), 36-47.
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